Do you remember when my sister Janet asked me before I left what my goal was for this trip and I responded that I wanted to live like a local Londoner... well, today I feel as if I reached that goal! I left the house with Loren and Don and we all boarded the Picadilly Line. The guys were going to the Victoria Albert Museum and I knew that wasn't my cup of tea. They got off at South Kensington and I continued on to Covent Gardens where I waited a short time in line at the TKTS booth and got two wonderful tickets for Loren and me to see the matinee of Top Hat.


Is Grovesner an English word? How can the "es" be silent? I have found the pronunciation of many places to be very odd. Like Leicester Square is pronounce Lester; Chiswick is pronounced Chisick; Gloucester is pronounced Gloster.
At any rate I began going towards where the man had pointed to, but found a taxi cab driver who told me it would be a ten minute walk and gave me directions. After ten minutes I began looking for an American flag. I was on the right road, but I didn't see anything that looked like the embassy. Finally I asked someone and he pointed across the street to a very large, ugly building. "That's the US Embassy?" I asked incredulously. "Where is the American Flag?"
"Dunno," he responded.
I went up to a guard and asked if I could get in to the embassy. "Do you have an appointment?"
"No, but I need to register," I told him. He directed me to the front of the building.

I went up to one of the officials who were helping keep the line moving. I told her I was a U.S. citizen and I didn't need a visa, but I was told to come and register. "Why do you need to register? " she asked.
"Because of the high alert," I responded proudly!!
She said she didn't know anything about a high alert but for me to wait just a minute. She took out her phone and called someone and said, "I have a US citizen here who says she needs to register because of the high alert. Do you know anything about that?"
After she hung up she told me that there was no high alert, but that I was to check their web page daily to see if anything changed. So then I said, "I am a US citizen, can I go in and see the embassy?"
"Oh no, not unless you have an appointment."
"So are all these people in line applying for visas?" I asked.
"Yes."
"Then does that mean they are all non-British?"
"Yes."
I was really amazed. You can't imagine how long the line was. That many people on a Tuesday morning who were non-British foreigners living in London seeking to come to the United States. Incredible.
Next stop: Parliament. So I ask one of the guards where the nearest Tube station is and he directs me to Baker Street which I realize is the Jubilee Line. Great! A direct shot to Westminster. I find the Parliament and get the information of where to get a ticket. However, it takes 75 minutes to tour the buildings and I have to meet Don and Loren at the White Lion Pub at 1:00 so I don't have enough time. So I decide to go to Covent Gardens. Back on the tube, I had to go from Westminster on the Jubilee line to Green Park and change to the Picadilly. I swear I had to walk underground forever to get from one line to the other, but I did it with no problems. Now don't you think that's being pretty local?





Don also saw some wonderful Rodin sculptures noting that they seemed much larger than those at the Cantor Museum in Palo Alto, famed for its Rodin pieces. Next he went in to the Islamic room which he really liked. There was some gorgeous pottery and an ornate Koran. He also saw an Abadin Carpet that had belonged to a military ruler. It had 340 knots per inch and measured about 50' x 20'! Because it was so old, it was only illuminated at certain times; otherwise the room was dark.
Don's last stop was Medieval Europe where he saw a half suit of armor worn for tilting and a Virginal which is a precursor to the harpsichord.
Loren took a more contemporary tour of the museum first going through the "History of Fashion" exhibit.
Spanning four centuries, the V&A’s Fashion collection is the largest and most comprehensive collection of dress in the world. The exhibit that Loren went to is called, "Club to Catwalk showcasing the bold and exciting new looks by the most experimental young designers of the 1980's.
His next stop was The Memory Palace. This sounds like a fascinating experience. It is based on a book by a British author, Hari Kunzru, who has been a journalist and writer for many years.
Kunzru is fascinated with UFOs and as a youngster often imagined a close-encounter type experience with them. His novel is set in a future London, hundreds of years after the world’s information infrastructure was wiped out by an immense magnetic storm. Technology and knowledge have been lost, and a dark age prevails. Nature has taken over the ruins of the old city and power has been seized by a group who enforce a life of extreme simplicity on all citizens. Recording, writing, collecting and art are outlawed.
The narrator of the story is in prison. He is accused of being a member of a banned sect, who has revived the ancient ‘art of memory’. They try to remember as much of the past as they can in a future where forgetting has been official policy for generations. The narrator uses his prison cell as his ‘memory palace’, the location for the things he has remembered: corrupted fragments and misunderstood details of things we may recognise from our time. He clings to his belief that without memory, civilization is doomed.

Twenty graphic artists and illustrators were asked to "re-create" Kunzru's story which they are calling a "Multi-dimensional book." At the end of the exhibit viewers are asked one question:
Standing alone on the prow of a ship in an inky part of the night and watching for other ships crossing Atlantic. The sound of the waves was a symphony to my ears.
This memory of when he was in the Merchant Marines just came to him. He hasn't thought of it in years!!
After lunch we parted ways: Don going to the British Library and Loren and I going to Top Hat. I mistakenly thought that Top Hat was based on the story of Fred Astaire and Ginger Rogers but it was actually a very popular movie that the two of them starred in in 1935 and which has been revived as a musical. It is everything one would want in a Broadway or West End musical. Irving Berlin provided the music, the ballroom dancing and tap routines are fabulous to watch, the costumes are breath-taking with the elegant style of the times, the sets are amazing transforming the stage from a ballroom to a hotel lobby to a Venice courtyard in magical ways, and the acting was absolutely superb.
And, perhaps most amazing of all, both the male and female leads were understudies!! I can't imagine that the original cast for those roles could have done it any better. The audience was enchanted and gave them three curtain calls. It was a fabulous afternoon!


NOW THAT'S LIVING LIKE A LOCAL!
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